Eye On Life Magazine

Make every day a beautiful day.

Eye on Life Magazine is a Lifestyle and Literary Magazine.  Enjoy articles on gardening, kitchen cooking, poetry, vintage decor, and more.

Living in a Two-Word World

Last Monday,
I lived life with powerful chaos

On Tuesday,
I tried ridiculous insouciance

Wednesday was
my attempt at paramount freedom

In desperation, Thursday
became a vague acclamation of possibly attempting to live
life with an undercurrent of a supreme out-of-control
kind of thingy. Sort of. It's hard to explain.

Friday,
majestic exuberance? Forget it.

Saturday morning
I lapsed into a weak noble enthusiasm

but finally, on Sunday,
I got it right, and existed in a state of pure sublime abandon

-- Christopher Hivner 

Big Walleye for Emma

Never a man to dawdle
Gramps got around,
he reminded his Emma,
until gout told his foot
to marry his ottoman.

So he paid for a cab
to visit Doc Morton,
a man he hated to see,
then stayed off his foot
for another two weeks.

Neighbors came over
and Sally next door
brought a big apple pie
and a case of the flu.
Gramps sampled both.

In a matter of days
he developed pneumonia,
went to the hospital,
faded away after
telling his widow-to-be

no reason at all to worry.
He just had a bit of the flu.
Come summer, he’d catch
a mess of big walleye
only his Emma could fry.

-- Donal Mahoney

 

Income Equality

Wilbur’s always lived
in the navel of society,
lost in the lint
of the middle class.

His parents lived there too.
So will his children if they
fail to win the lottery.
Not a problem for Wilbur.

From his navel he can
see the poor sweat
at jobs they died for.
When he looks up

he can see the rich bet
on stocks and then relax
with wine and caviar.
That's the way the world works.

Wilbur's father told him
it’s always been that way
and always will be.
And like his father

Wilbur knows the world
will always have its Castros
wanting to parcel out
what Donald Trump has.

No wonder, Wilbur says.
Income equality can’t reign
until the world ends or
pygmies play in the NBA.


-- Donal Mahoney

It’s Home

The city sits under
Cotton candy clouds;
Not a soul in sight
In this once industrial town;
This former steel mill mecca
Of smokestacks, fat bellies,
Beer and shot bars,
Roman Catholic churches,
Good timing, fast talking,
And glorious great times
Because cash was flowing
Like the old Mahoning.

But now it’s changed:
Rundown-welfare hades
Of never-ever dreams
Pollute everything,
Everyone, everywhere.
- It’s seen better days.
- This rusty old city.

Night falls. The neon tracks
Of the biker bar on the corner
Blink on and off, on and off,
Like a tattooed siren offering
Everything to the dusk.
She sings as the railroad tracks
In back corrode from dereliction,
The wood ties rot from neglect.
"Take me, take me, and all that rust,
All that stinking rot will
Be gone with the night.
All that blight will be covered
By the darkness of darkness,”
This siren ever-so-sweetly calls.

-- Samuel Vargo

It’s afternoon, again,

Another purgatory of beer,
Gin, just choose your poison.
A telephone wire
Hangs in balance
Of time and space
While crows and blackbirds
Perch like black lace
On blacker leather.
They’re feathered harbingers all
Of the tough satisfactions,
The wants of this ghost town.
Those birds don’t give a caw!
To river-to-rail iron ore,
Commerce, coke, or
Integrated steel mills.
They don’t know anything –
No, nothing at all -
They’re like us, waiting
For some sign in the sky,
Or an easy way to glide
Them through the day.

-- Samuel Vargo

6 at Joey D's Donut Shoppe:

&  
I'm
Bent over black coffee
At the long counter;
Sweet crisp dough
Displayed in glass cases
All so presentably;
Generic cigarettes in a green menthol pack
Crumbled and crushed on the counter
Nearby & the a.m. edition in the newspaper rack -
Serve to make the morning all too real.

Someday
I'll chase hemispheres
& watch them run; I’ll
Leave this citified life here
& buy a house in the burbs
Or in the country, maybe.
Yes, all this urban strife
I suffer day-in, day-out,
Associated with being afraid
Of the mailman, the landlord
And the man on the corner
Will leave and I’ll be there,
Not here, at Joey D.’s
On the near West Side
As the rest of the city slumbers.

So I wait for the sunrise
Like 7 thousand mornings before,
Right here at Joey D.’s & I want to see the sun rise
Over the near west side. . . .
An old man in an old, tweed suit,
                talks about an Italian lady
                he knew in the Second World War;
A paranoid pariah using Joey D's
               coffee and sugar as narcotics;
& an oatmeal-honey-brown girl
               shivering in the corner booth –
They’re all here. My humanity, my family.
The marquis blinks on & off, on & off –
Donuts with holes inside. The sign
Dims with the breaking dawn in glowing
                blue, yellow & green ovals.

-- Samuel Vargo

Contempt Prior to Investigation

The old fat men
Sit alongside
Their skinny old
Wives as the carnival
Passes through town
On its way to the train
And the next town
Down the tracks.
They missed it again,
The carnival, that is:
The clowns, elephants,
Fat ladies, tattooed men,
Lions, tigers, zebras;
A trust of magic
(And tent strippers,
Ooh-la-la, oh-my-my).
                       Just like
They missed fireworks
On the Fourth of July,
They missed Christmas
This year and last, and
Labor Day, what’s that?
Nobody works here, anyhow!
Nobody missed Hanukah
Because nobody is Jewish.
         No, nobody
At all. The only thing watched
Regularly: the moon
As it changes from
A sliver to a full circle.

They complain
There's nothing to do
In this town, but
Tonight the moon's
Full and it's
A well-known fact
There are ghouls,
Werewolves, ogres
& vampires living
        in town.
This place is haunted,
Yes, it’s as haunted
                   as hell.
And all, everyone,
Celebrates Halloween
In the fall. These old
Fat men and their
Skinny old wives
Look to the moon
For ways to be
Unhealthy, un-weathy
And unwise

-- Samuel Vargo

Molly May’s got a new hairdo

The size and shape of Texas,
The personality of a lone star –
Surrounded by admirers and haters
Gropers and shakers
Sad sacks and moneymakers
She sings to the good ole’ boys  &                             
Bad ole’ girls at Plumsley’s
Bar & Grill on the other side
Of the railroad tracks.
The bad side
    Where the rumble & tumble
    Is loudest.
                             And the rolling thunder
              Rolls over the karaoke
              Numbers.
Nope, it ain’t Nashville, no sir-eeeeee

Molly’s friends call her drama queen
But I call her queen of drama
Not much difference really
And don’t ya go lookin’ for Molly May
In any old moldy stack of books,
Unless she’s there with her five kids.
She meets them there sometimes
At the library on Main & Caruthers
When a `friend’ stays over
The night before.

-- Samuel Vargo

A Ticket to Somewhere

When I was eight
I jumped off a roof as if
I had a parachute
and broke a leg.
He was there when I landed,
told me to be careful,
said I was too young
and then disappeared.

In a high school game
I went up for a rebound,
came down on my head
and got a concussion.
When I landed
he was there again,
said I was still too young
and had better be careful.

In my late forties
I almost got hit by a truck
but jumped back in time
and landed on the curb.
This time he told me
I was no longer too young
and if I wasn’t careful
I might see him again.

Now decades later
I have been very careful
but I still watch for him
because the last time he said
every one of us has
a ticket to somewhere
with choices to make
and moments to decide.


-- Donal Mahoney

Operative

spy in my own life,
uncertain of what side
I am on, agent/counter-agent.
not sure what the sides
even represent.
both parties sound the same
after so much rhetoric.
there is a beautiful dangerous
woman who turns out to be
nothing but an ordinary seamstress.
she owns lots of kittens.
not real cats, but objects made
in their round little shape.
the nefarious villain with the plan
for domination turns out to
not unlike myself.


-- JD DeHart

Deflation

I began by floating
above the dull earth, but
soon found that my ascent
was moving in the opposite
direction.  a few words later,
an insult here or there,
placed like a hidden blade,
and I was finding my way
quickly to the terrestrial
realm from which I rose.
the neighbors were the same,
and their cooking smelled
somehow worse.
their children still crowded
the streets like homeless
wanderers.
now I am merely a heap,
a might-have-been soon
to become a must-have-been
and then a who-was-that.


-- JD DeHart

Lawnmower Metaphors

there is always plenty of time
to think while mowing.
I move in the same squarish
lines I always do.  
first, I get up, then I shower,
then I pontificate.
the audience is trained
to look like they are listening.
     are they?
finally, the swift stroke,
the edging work, and I am
on my home again, home again
like yesterday and the day
before, trying not to work late,
trying to sleep again
and remember my movements.

 

-- JD DeHart

 

Left Hand

Like for oh so many righties, my left hand has become
Something extra, almost ornamental; at this point, it’s
Given up the good fight for precedence, has become
The clumsy side-kick, the faithful assistant, ready to hold
Things steady, centered, ready to hold the door, the light
A nail while a hammer descends right at it; it learned early
On, the shape of desks, of baseball gloves, of golf clubs
And those writing assignments, holding a pencil, following
The proper slant of cursive, praise or blame; my left hand
Surrendered to my education, became what we mean
When we say, “on the other hand,” when we point out
The thing that’s so easily missed when the majority rules;
My left hand has become the master of futile gestures
Flailing about, helps balance at times, gives me a place to
Put the extra glove, very little wear and tear, a perfect fit
For the pockets on that side; eventually, my left hand will
Atrophy, disappear as I evolve into the standard size and
Shape of things; it never saluted, or shook a hand, or opened
A jar, pulled a trigger, or for that matter never wrote a poem.

-- J. K. Durick

Doorman

Up this early, way before the day unfolds
Untucks itself; up early, is it four or five
Time blurs at this hour; the doorman for
 
The dog, I should join him, lift our legs to
Mark our territory, our time, and then bark
At passing cars, masters of what we survey
 
But no, I’m the doorman waiting his return
Sitting here with my mind roving about
Its time and territory, lifting its leg, it’s all
 
Mine, no need to bark or fret, it’s all mine
Over here is a cupboard full of the things
I need to do, yet have left undone, things
 
I should have said but didn’t, over here
Are family members and friends I miss
At this hour they seem sad and restless
 
If I believed in ghosts, they would be all
The ghosts anyone would need, I recall
Whole scenes with them and I am always
 
Fumbling about, blurred by the early hour
They whisper, I try to fix the things I did
This is what I get, this is what I deserve
 
I hear the dog cross the deck, open the door
For him, he enters and never thanks me, it’s
Part routine, part ritual, the day has begun
 
We become shadows, almost invisible as we
Cross the room, as the day begins to unfold,
Untuck itself and the light untangles our day.

-- J. K. Durick

Raptor Center

After an accident or attack, their hunting skills gone
They end up here; some struggle at first, but things

Of nature understand the inevitable, easily give over
To a quiet presence, perch where and how they can

There’s a sign for each, or a guide can fill in details
The species, age and gender of each; they say some

Will be returned to the wild, some others will stay
Here for the rest of their lives, isolated half-lives in

These large enclosures, with their food tamely left
Lifeless gory bits, never a fight, never a challenge

As if killing weren’t a necessary part of eating, as
If talons and sharp beaks were ornamental, things

Guides remember to point out to the tourists passing
Through; they ask when do you feed them and they

Talk about schedules and routines and proper amounts
In the wild they eat what’s available, whenever, but

Here mealtimes are systematic and tame, like all of it
It’s a cross between a nursing home and a zoo, or better

Between a veterans’ hospital and a zoo, these generals
These field marshals, warriors diminished some way

Held in check for now, waiting patiently for something
A beginning, a brief opening, or just an end to it all.

-- J. K. Durick