Eye On Life Magazine

Make every day a beautiful day.

Eye on Life Magazine is a Lifestyle and Literary Magazine.  Enjoy articles on gardening, kitchen cooking, poetry, vintage decor, and more.

Susan's Cardiac Arrest

She wilts against the cabinets,
One flour-white hand flees from the dough
To clutch at her chest

In the oven the turkey warms, browned and stuffed
Below a rack of two pies reincarnated from the pages of O Magazine
French silk pumpkin and ginger pecan.

When she falls, the floor is warm against her cheek
From there her eyes flutter heavenward
Towards measuring cups and a green bean casserole
Resting on the towering countertops

Rattling ragged breaths
So light, so terrified as she
Realizes the pies will burn

- by Lily Mann

- SON OF FRANK'SGIVING (REDUX) -

…Man does not live by
bird alone, tho’ the frenzy
& ham speak other
is it not alone suffice
to scam? thanks for stollen, blague

memories in yam-
pecan & cramberry wine
what teach the littles
pumpkins well, stumped sons-of-a
politicians, pyrrhics as

the door on the Wind
closes, whapp!…  fly bird fly, as
gallapavo die
stuffed & gobbled by cloy un-
acquaintance full of Itself

& fast pyemic
foie gras, a goosed an’ juice’d
Marty Holiday
squab for Amerika’s natur’l
gas gets/given a pass as

the game dog, waits for
St. Nick, M. Vick dogsits, rah!-
rah!…  Hey, Pil-grims, yumm
6 Mil. @ the Nexium
acheer for 10 Mil. trail’stears…

H.e.m./H’H.
11.9.MMix.
(For ST)

- FRANK'SGIVING! -

 (ThanksGoing)

Hey, Pilgrims,
Let’s dress-up
Dress-down the plumes
of the dancing Peacock
(If we’d allow)
but for the Ritual;

For Francly speaking
in tongues of plata y oro,
Pound-for-bloody-pound
How much ‘cide this buys?
A simply-uneasy angst to the quest,
Oh, how Corpulent “m.d.’s” -
Which dystrophy Indigene Water - Land -
Identity muscle
Manifest your Destiny! - Trophied.

Lots of time for sargeants,
for unhappy Cherokee rides on trails to tears     
Led from 50,000 years to Discovery? Indeed!
With no reservation
‘cept to enslave the Spirit,
And with tobacco & cotton gotten
from the corn colors of the Earth!

Are the Iroquois/Mohawk/Navajo/Cherokee/Hopi
Thankfully jeeping…?

Don You grisly-now…
Our meleagris gallopavo decapatito,
Strut and march like mute Mummera in the Charade!

 

-H.e.m./H’H.
11.22.MMiv.
(Revised)
Cum Multis Aliis

Why I Hate Football

I’ve stood here watching for 20 minutes, Marshall,

and you’ve only been in on special teams.

Each time, I’ve gone crazy

yelling Oh, yeah, Number 24!

Who’s that hot man on the field?

That’s my brother!

Mom rolls her eyes and my spouse

tries to cover my mouth

but I’m not here to cheer for your team—I could care

less how they do if you’re not out there.

Finally, Coach lets you go on offense

and you leave the Lone Peak huddle

like you’ve got a job to do.

The quarterback hands off to you

and you fly

into a 240-pound wall

and fumble the ball.

As you hang your head and trot off the field,

destined not to play another minute for your error

I remember Troy’s senior year,

how he got in the papers every week

and we took for granted

the holes he’d find,

his wheels,

the touchdowns.

But those fragile bones of his…

It took one guy to break my oldest brother and then

Johnny Harlein was the star of the team.

I remember where all this heartache comes from—

There was no fumbling with my father, the quarterback,

as he gave BYU its first winning season,

it’s first Bowl game,

and he made it to the NFL

where he got tendonitis in his throwing arm.

I know, if given the chance,

you’d play it all over again.

And you do. Rewind, slow-mo

again and again and again.

 

- by Tara Bowen

Thanksgiving Poem for Tom

Villain plots and she plans for twelve weeks
Cuz the head of this woman she seeks
She has a new silver platter
Hopes the hair color will flatter
No carving of turkey, instead, her cheeks

But this woman is smarter than known
And the villain’s plans will be blown
She’ll be sweet and nice
And then spit in her rice
While holding her face like a stone

The villain will give all she has
To needle, make fun, and to raz
But the daughter-in-law
Will shoot things out her straw
To add festive décor to her ass.

As they gather in front of the tv
They believe the Cowboys they’ll see
But they’re not aware
That oh yes, she did dare
To take the remote up the tree

So they ignorantly sit there in bliss
And no one gets up for a piss
Cuz they’re ready to score
And they’re up off the floor
When the power goes off and they miss

Leaving her to wash all the dishes
She stands and counts all her wishes
She’s on thirty two
But just one will do
Oh yes, this will be so delicious

The bathroom’s the scene of the crime
She can lock herself in, take her time
Dumps his little blue pill
And begins to refill
With Ex-lax—this will be sublime

The toothbrush is pulled from the drawer
And brushed a few times on the floor
The tile needs a good cleaning
And now it is gleaming
With this brush she has plans for more

She sets her sights on the throne
This plan— it really has grown
She starts to scrub
While they’re chomping on grub
Villain’s bragged about health is soon blown

The villain’s in need of a treat
Something special that just can’t be beat
Petroleum Jelly
She’ll land on her belly
When a thin layer is wiped on the seat

She’ll soon need to be about done
Time to sit back and watch all the fun
This is going to be great
She can hardly wait
Has her phone ready to dial nine-one-one

- by Cheryl McRae

Saving Tinkerbell

My November dreams have become restless nightmares now, as I toss and turn unable to find rest. Night figures haunt me, walking alone and in groups alone in the shadows, yet even through the darkness I can see their faces. Pale and gaunt, tight with anxiety, thin with hunger, steel eyes looking nowhere and everywhere. Looking back over their shoulders towards the future, like looking for yesterday to find tomorrow as they walk away slowly into the distance.

Why do they seek me out? Why do they haunt me so? Is it because I am also them? I am one of them with my membership card in my hand, with my dirty shoes and ragged clothes as proof true. Are these specters me? Do I run loose in my mind or does my mind run loose in my head? Am I haunting myself? Have the sinews and synapses allowed my brain to break free like a ship’s cargo in a storm?

They cohabitate with me when my eyes close to sleep. I hear their voices; I hear their labored steps. I hear their children until I wake in a sweating, frozen terror and I wish to scream for them to be gone from me! But it is no use, because I can’t. They are the strangers who know me and the ghosts who are me and I carry their chains as penance for my crimes like Marley.

I watch their numbers grow, as I watch the world spit on them and cuss them and excoriate them and fit them for their crown of thorns. The populace put forth a shallow, false bravado to hide the fear, the fear of being next, of walking alone, of being spit upon, of being hated by the world. The fear of the hundredth job application for a job you’re overqualified for but under-qualified for because you’re too old or too young or too female or too male, but most of all you’re under-qualified because you want to get paid for your work.

They hold me down in my sleep; they grab my hands and seize me as I struggle to break free, and as I do sparks fly around the room from the light sockets. I cannot sing, I can only scream, not beautiful music but the sounds that need to be heard just the same. So don’t fault me if my words hurt your ears for I am not singing to you. I’m sending you a message from the other side.

The charlatans who strut the days in matinees of palisades and serpentine splendor that remains to remind us that all the world is a stage, but the play is all of fiction. Their names may change as fast as the facts, but never forget they run in packs, and sleep better knowing that their money’s safely in the banks. So don’t try to phone, don’t try to call, don’t you ring the doorbell and wait on the lawn, for they don’t know you.

They have names for you, of course, and programs for you and forms to fill out and waiting periods and calculations. Stratagems and economic theories and black-tie dinner parties over food you’ve never tasted and wine you’ve never drank, followed by dessert and champagne to celebrate their escape from the life you must daily lead. Slowly it begins to come to me why these ghosts disturb my rest; it is because I hear them and they do not. I feel them and they do not. I am one of them and they are not.

I do not rest with bloated belly filled with fine food and wine, but with hot dogs and maybe a beer and I’m glad to get it. Oh, I get it all right, like a lover spurned, I get it. We are unneeded by you now! This assembled multitude should disperse now into the night to tread the footpaths of the night people, the street people, the homeless people to be summoned up when the trumpet sounds again and the polls open.

I will call them out; I will call them out of their temples even if the star catchers and cultists object. Holy rollers steeped in party and baptized with the holy water of political furor. It’s not heads I win, tails you lose. We all lose. You play the game, but they run they game. When your man calls six they all chant, yes, six hooray! When their man calls six they cuss and yell, oh no, not six! So excuse me while I laugh because it’s all the same play, for penny-stinkers and kings!

But no, they cry out from the temple pews, you’ve just got to believe! You’ve just got to! Otherwise Tinkerbell will be lost to us. Come on now, you’ve got to have hope! With hope we can do anything, so come on, join us, lets all hope real hard for Tinkerbell. You see? I think it’s working. I see a light shining. Sure, that’s it; everyone hope real hard!

Yes, I see the light, too, but I see it in the dark, for in the dark there is a clarity. A clarity not given to those who live in the light. A thousand points of light are surrounded by a million points of darkness, and those of us with concrete for beds, we know this unquestioningly. Hope is a four letter word, but so is help and so is food; hope is what you hold onto when there is no help or food. Like fairy sprites, it is all a make-believe game.

But our night is as real as is their day. Hope is not a plan, hope is a way to dodge the blame and for them to say heretic! You’re disloyal, go away! You don’t believe when I would upend, but ‘tis for you to unrecommend. For that will change naught, and it will change nigh, because I will condemn all those who lie. For to silence me won’t silence the others, as they, too, will begin to haunt you under the covers. At night time close in safe repose, you’ll see their shadows, you’ll wear their clothes and you will know what they know.

Reality is stone and fantasy whipped cream, and no, this is real and not a dream. The night men grow and their numbers swell, and without saving us there is no saving Tinkerbell.

 

 By David Glenn Cox

Winter Harvest

A far off memory
results that don’t line up
faces blurred, lines crossed out
phantasmic light barrage

I wander in and out
my rampage never ends
back and forth through tiny
spaces it traces my
face with a finger and
grows out of my control

my hazy reflection
winks back with cheshire grin
face contorted and strange
wildebeests loose in my brain
I see everything and
reject it all again

I am Prometheus
given fire and snuffed it
returned for store credit

by Kris Moore

Night & Day

Where’s the dolphin?  Still inside?
I remember the last time we showed each other:
The surf skin ridden, hands fanning, finding the dorsal.
This was a new life we petted, held, with some slick
Giddy language whinnying all the way…

Love is empowered by such joy.
It causes, for a minute, toxic detonations to ebb,
Brings just one more sustaining flicker to replace
The last ray heaving out from the face
Of someone starving.

That’s what happens when climbing on the dolphin’s
Back or slipping along his side, each body a vase
Filled in, spilling over, but still containing
What nearly splashes…

But where is he?
We need that diving, that loop to loop, these waves
Simply significant, a passage for day, night, night, day,
Now that we must wear the other’s clothes
If only to feel touch, now that we’re bread
Broken, toasts proposed & smashed straight
Into the bay’s sweeping heart…

My friend, the dolphin.  Remem…
Here he is, fins at your chest, lovely
Living, playful suede.

by Stephen Mead

Riding a Tidal Wave in a Bottle

I had this weird dream the other night
It was like I was lost in this big blue blanket of ocean.
Salt water mists spray
Stinging sensations on dried-out skin
With every bob and weave that slices
Through a fat piece of the vastness of a watery grave

You see
Every day for the last couple of months and then some
Suicidal daydreams rule the peaks and valleys with every wave that hits
It’s just gotten a little more lonely as I stare over
The wild blue yonder statically interrupted
With white foam
Looking for a destination home.

And, right now.
Right now, I don’t see anything.
I have my
Telecope elongated
Searching through it’s tubular eye socket for any sign of…

For realz
I don’t know where this journey will land
Compass has been broken for years
GPS hasn’t been reprogrammed with new directions for the endless
Creeks, waterways, rivers, or lakes
Filled with the many tears of not knowing where I belong
Solitude makes the breeze around me turn up in a silent scream
What’s wrong with me?
Why can’t I find my way home?
What did I do to deserve the isolation of this raft
Made of splintered hopes and weathered dreams
With a sail torn from insecure choices caught in the crosshairs of doubt

Too many days at sea, I guess
Watching in rewind the many opportunities I let sail away
Watching in fast forward everyone else merrily float by in their red, white, and blue colored inner-tubes
Towards their seemingly pre-destined honkey-dory futures
As I… just… drift.

But sometimes,
Just sometimes in the timeouts of my own personal grief and despair
I try and force out a smile to greet the unsuspecting masses
In hopes that
Giggles would give way to chuckles would give way to laughter
Which ultimately gives way to absolute MADNESS
Madness at myself for believing the mirage of my rudderless existence
Madness at my blame towards others who are getting theirs while I circle in the waters of sadness
The lunacy of madness has finally broke free into a tidal wave of just being MAD

I grab the oar
I pull the threads of current behind me
What was once the stale air of redundancy
Has breathed a new life of independence and focus
You best be getting out of my way
Or I will row row row your ass over!

Eyes shut out of anger and motivation
Breaking free of the depression I have drowned myself in
I paddle like my life depended on it,
Cuz guess what, Son? It does.
And I row, paddle, stretch, until every muscle in my body has spent it’s very last drop of determination
I burn the fuel of nitrous-oxide dreams, a half-glass full of possibility, and a 151-shot of hope

And let’s not forget
the most important non-alcoholic sober propelling ingredient of
SELF BELIEF

And all this
Leads me back to the search in the circle of square one.
Where am I now in this big blue blanket of ocean?
Ain’t no lie,
I’m just being honest with you.
I’m still wondering myself.
But here’s one thing I do want you to know.
I am on my way.
Row by row by row.

by Conrad Panganiban

Rose Mountain

Small kitchen garden
A rooster she couldn’t eat
Children who didn’t want enough
a husband who thought that was fine.

A mountain with no purpose
except a place for light to play
She hated it when they went
to hunt on the mountain,


Could they shoot the light?

Her name was Rose
to no purpose that mattered
so she named the mountain
after her name and what she thought about most.

By W X Dunne

My Wife Bailing the Garage During Hurricane Hanna

Standing in the pouring rain,
in Robin’s soaked-through soccer jacket
and her own loose-fitting beige slacks
and black sandals, soaking wet,
her new short hair-do dripping, pasted
to her head. She bends over
scoops up some water in her bucket,
pours it into the larger trash barrel.
Then we drag it up
to the street and dump it over.
She stands for a moment,
her face in profile, strong and shining,
slippery from all the water,
hands on her hips, like her mom used to stand,
catching her breath, before heading
back down the driveway to repeat
the process.  “I’m so sorry
you have to do this, Honey,” I say to her.
“Well, we’re in this together,”
she responds. Yes, I suppose so,
but I hate her having to do
such heavy labor,
hate her standing there soaking wet
in the rain, clothes sticking to her
as if they were sprayed onto her lush body,
her face all wet and shimmering,
shining in the moonlight.

by Michael Estabrook

The Blues

The metal sheds sickly teal
paint, peeling off the lattice
of the corroded cabinet
like a dead skin husk
to expose the crumbling grime
of the desk beneath.

Flecks like rusty snow obscure
the faint blue lines that span
the pages of my notebook,
railroad tracks traveling direct,
left to right, perfectly parallel
through dark ink clouds. They cross
the spiral bridge and continue
on the next page, undeterred.

Loneliness waits in train stations
under abandoned newspapers
crumpled on empty benches.
It sits among broken glass,
glinting in gravel, wedged between
weeds and crossties. It is
always coming, and going. Never here
nor there.

I took a train once
from a sleepy Allegheny valley
in the still morning.
The mountains walked slowly
backwards, sinking into pine boughs
and cold curling fog.
When the clanking wheels grew tired
in a screeching metal decrescendo,
I woke to damp yellow lights
and the tarnished blue notes
of a lone harmonica echoing
through the station,
the ghost of a thousand dead men
with dusty caps and dented pickaxes
resting along the railroad ties
in the cold half-light.

 

by Charlee Redman

Disclosure on a Second Honeymoon, 4 p.m.

they tread on
ocean’s edge
at makena beach,
holding flip flops,
throbbing hands
to themselves.

i just thought you’d
like to know
she whispers,
not because they’re making a scene—
the sunbird in the orange speedo
is several yards ahead of them,
glancing out at molokini—
but because
when we’ve been bad,

 we whisper.

she doesn’t touch him,
won’t challenge change,
glances at her swollen belly,
waits.

 

by Tara Bowen

REvelATIONship

I sympathize with her plight

For I too know how it feels to exist
As a square peg in a round world
One in which the “takers” have inhabited the Earth
Both givers by birth, our heads were left pounding as they immediately began to butt
Something had to give
So with some reluctance, I settled into the role of “taker” like an undercover cop turned junkie

Someone once told me that a relationship is like two glasses of water
When one individual’s glass is low the other pours some of their water, replenishing the glass
That rarely if ever would they be even
In all likelihood someone’s glass would always have more
I took it with a grain of salt
For at that stage I was a feeling bit parched

My idealistic side tells me that when the time arrives
And her levels begin to wane like the tides
That without a blink I will pour every last drop
But as a musician by trade I am acutely aware
that when struck by spoon my glass begins to resonate more deeply
The more it is filled

So to her, I can only offer apologies
Although you should question the sincerity as it primarily stems from guilt
I know it’s not her fault that like an alcoholic I’ve bounced from one glass to the next
Wondering when it would be my time
To be selfish

by Christopher Shawn Barker

 

Poems of Daniel Zane, Featured Poet, October 26, 2009

Glass Ball Ornament

Snow falls in its familiar pattern
just as we do,
down
and to the side-
up and to the other side around,
as if the gray skies would part for an instant
to let two massive hands of a child in wonderment
shake the world,
like fizz inside an unopened soda can,
wandering the semi urban streets
for the highway
or closest bridge to another existence,
passing the rattle of dragging bike chains
or the Christmas carol clinks of a hobo’s treasure chest,
symphonic, like red and white light screaming
fire engines, headed back inward
toward the rosy, death colored smell
of my American Pompeii,
once perfect in its creation,
now perfect in its destruction,
the ash settles decoratively
in the stillness of another clear night.

You, a true smile

Come from the belly, with a breath
before senses stir the consciousness
away from sleeps lazy clutch.
as your lips part effortlessly,
like when a breeze pushes open a door ajar
or a wounded stomach spreads for blood
a row of white teeth,
stacks of loose leaf paper
marked with smoke tainted imperfections
like the etchings of a sentence,
appear as a Horation ode
written for time and time alone,
are fixed in your gums
like a stake in my heart
before vanishing
only into the memory
of a brand new morning.


Dinner

I
Sitting across from you at the dinner table
dimly lit like an old Roman temple,
your eyes squint through plastic framed glasses
set atop a wrinkled nose,
your skin holding the sorrows of all of Eastern Europe
and I, driving myself crazy
wonder if your face, or any face, should ever be cast
in the blue fluorescent light created by your cell phone.
Blue as the ocean that came up to flood the humanity of your face,
and wash away your history.
II
So tell me father,
is this the same light that woke your every Red Hungarian morning as you went to school for Communist indoctrination,
shoveling up pieces of bodies along the Danube,
that left you awake each night inside a refugee home beside fifty of your friends and family, screaming for a new world
unimagined,
that sat tightly on the wing of your airplane to Montreal, blazing new trails through the sky and never once looking back,
that burned in your mind as you, a seven year old boy, read the New York Times with a pocket dictionary in hand, chin in the other, elbow on your knee, like a young incarnation of Rodin’s creation,
that you saw spinning in your head when every punch from an American boy, afraid of change, landed you square between the eyes and knocked you on your ass,
that took a shot in the dark as you took out your scared member, lying in bed, smiling and wondering if you’d just lost your virginity, 
that lit your textbooks up in a small Columbia University dorm room as your pondered the future of the world in the realm of nuclear engineering,
that abandoned nuclear engineering and forced you to march up to the Lincoln Memorial to fight for what you knew was true American honesty,
that exploded within you as you sat motionless and twisted in your room, listening to the Rolling Stones as if you were the metal buildings misshaped after the bombings of Hiroshima,
that scraped the sidewalks for pennies in New York City and came back with bread,
that stared into the eyes of my mother, both of you shy and nervous when you told her you were really in love,
and led your every footstep from the chains of your Hungarian past into the wild blue imagination of your American present?

III
And now your face lit again,
staring endlessly into a small sea
of numbers and words,
the ghost of my generation,
new and shining haunts
your carefully designed face,
a face etched by hand, by dust, by wit.
and thinking of my own future,
is this the face your father had,
as he sat old, lonely and dying,
while you dreamt of a world itching to blossom?

Eye on Life

Poets tend to
keep an eye on life,
the world is a veritable,
verbal soup to them,
their souls are dreamcatchers
sifting through the chaff,
seeking only the perfect grains
from where their heart is turned to lead.

Spending hours
with creative powers,
discovering ways to phrase,
the kaleidoscope center of a tulip,
soft coos of a baby cuddled
unabashed tears on the face of a
hardened veteran returning home…
and the godawful ache beneath
one’s sternum when love fades.

Thier pupils hold studied Irises,
not just purple blurs
along a garen path walked,
but each bloom spotted
becomes a metaphor
for some act of literal growth.

They hold great responsibility
in the grip of a pen in hand,
for hearts are moved by poetry
minds can be changed
movements created with
just a series of measured
strokes of genius writ.

It is a curse and a blessing
to view the world in
an 8 by 11 inch space,
always composing thoughts
amidst sorrows or beauty,
but the joy comes in the blanks
that are filled with pure expression.

I am resigned to being a poet,
and I will re-sign again and again
the works my muse
so graciously grants me,
then read them often
in the wee hours
and smirk a bit
at my profound legacy.


by-MFB III

Hives

My REM is a hotspot for bruisers.
The receptionist ushers them into my bedroom and I have to say
            What can I do for you this morning?

            What can I do for you this morning?
This one’s a regular. He
escorts me away from my slack-mouthed sweetheart,
to my family room,
to the sofa that makes me itch.


The visitor invites me to sit by him, face his hazel
eyes, Greek cheekbones, rueful smile,
our twelve-year-history.
            I’m married. When you come, it
            looks bad.

He apologizes and I begin to feel his love.
It’s on my left knee first. His leg is just
touching mine.
He slides his hand between
our legs and starts
scratching my knee hard.
            You’re hurting me.
He asks if it really hurts or if it just itches.
            It bothers me.
I crane my head and look through the bedroom door
to the lump under golden covers.

My alarm goes off to end this encounter, but
I leap toward the bedroom, past my spouse…
I press dream.

Back on the sofa,
I let the visitor grab my face. With scratchy
callous hands, he pulls me in to suck
on my top lip.

I feel the pulsing,
scratch my knee, wrists, back, both calves.
I’ll take my medication when it’s over.

By Tara Bowen

Poems by Jill James, Featured Poet, October 13th, 2009

the world’s number one prison pen pal

the world’s number one prison pen pal
is hard at work typing on the laptop with the broken ‘e’
wearing silver stirrup pants and crystals and Vicks vapors
and talking shit about love with a barmy mouthful
of health food and NPR is on and this person
spends all day writing letters to the forgotten men
and women of the busted justice system

the world’s number one prison pen pal
also teaches literacy on Thursday nights
and then once in a while the world’s most
number one prison pen pal writes a poem

it’s a hard day’s job because there are 16,000
Lonelyhearts and that’s just one penitentiary
but the world’s number one prison pen pal has enough
love for every one, only all the envelope licking
and stamp sticking and paper cuts and lazy eye
is making production supply to the slammer slow

but it’s all worth it when an inmate sends a
mall machine snapshot of themselves with braces
and dated hair with a note and a baseball card and
a big wad of baseball card bubble gum
and then no one is alone with the stupid summer
camp sandwiches or broken teeth or
make outs or plain brown shoes with rainbow laces

I envy the world’s number one prison pen pal
I even wish she’d write to me

honeypot of a library book

my Bukowski book is a
man magnet
for flocculent married
middle-aged chick repellers
baking tragic bellies
in the fizzy hot tub
filling up with hair
it’s okay reading
this cocky fuck cause
he cracks me up enough
but the flies on my honeypot
of a library book are buzzing
too close up my bathing suit
begging me to rot on the same
page, so in the sauna,
like the girl Jesus I was
come on to become,
charity bred and burnt into my
blood, I read a poem out loud,
laughing so hearty from the throat,
throwing out bread crumbs
to spa pigeons, ladling out
the gruel of good words
in the soup kitchen of flesh
while we sweat and sweat
then the men leave feeling the best
and I try to read the next, but
the page is too wet

obligatory landscape poem for the man who didn’t like the subject of love

branches in the shape of ghostwriter
wrists, playing only the white keys
on a cobwebby hammond organ
twilighted by dim headlights
that honeycomb the mist
a silent film in which
snowflake rice a roni rains
on the faces of skid row angels
who die pale and unkissed
smushed into tire track graves
like flattened angelfood cakes

compact cars cheeseburgered
by snow slices, silent night
for honeymoon hotels and piano bars
I breathe alone in clean alone air
just petting the land with a mitten
this sweet white no man’s land
powdered snow sugar
sweetening my soft coffee hair
for this wonderbread wonderland
I praise the lady winter with
kind little winks through wet lace

 

3 haikus on father’s day

santa clause construct
drinking on the job
a hand in the cookie jar

six foot track star
scotch worms for brains
suiciding every day

fragmented prism man
broken like a bottle
indifferent, negligible, over

 

Voyeur

We were in Central Park.
I was bleeding from my nose for no known reason.
It was all over my hands like exploding grape juice.

They called ‘Red Rover Come Over’
and the Italian and Dutch boys from that private afternoon
in the flesh were running past me with the flag,
taunting me, their pale legs brushing my party dress
just minutes after we were kissing
in a pile of Jamaica leaves.
The older man was watching us from the bushes,
naked with a crown of holly berries,
unable to touch us
except with his sad shellacked eyes,
the years of raping himself
congealed into gumball teeth in a row
that cursed us as he pissed on the innocent clover,
saying, “This is all you’ll ever know.
This is all you’ll ever know.”

by Jill James