Eye On Life Magazine

Make every day a beautiful day.

Eye on Life Magazine is a Lifestyle and Literary Magazine.  Enjoy articles on gardening, kitchen cooking, poetry, vintage decor, and more.

- HUFF AN' PUFF (AN' HUM YOUR BUG DOWN) -

Say, ever spy a

dragon-fly off stick-‘em die

paper or lull a

cry’s baby deep to sleep when

thirst begs like a gadget sans

 

AA’s includ’d

the Yurman’s a Swarovski

knocked-off a shelf @

JC Twenty’s, ornaments

look like pretty credit cards…?

 

is this the snow what’s

befallen you Nick!? It’s the

Twelve Days afore, yep

Christmas an’ the ‘X’ marks your

bottom line’s musijoy ‘til…

 

{Oh come let us

 (deplore? abhor? pejor? ignore? adore?)

IT, Wharmart the lord}

 

next February

whence again, Wenceslaus, the

hamster wheel’s chocolate

pellets hardly heart hearty

for your XX marked betrothed

 

{Oh come let us

(deplore? abhor? pejor? ignore? adore?)

IT, Wharmart the lord}

 

                       H.e.m.-H’H.

                       12.12.MMxi.

                        ST

I better not pout

All I want

to wrap before Christmas

are my thoughts around

the present

and how it does not 

have to be adorned

with lights and

mistletoe is not

needed for me

to want to kiss you

in the cold white darkness

of that winter’s night 

when Santa

runs himself ragged

fulfilling his 

FedEx-like magic 

trying to please

the precious little ones

who believe in him

enough to leave

him cookies 

of innocence

before the 

crackling fire

of truth

burns

their letters 

to the North Pole

to embers

 

Ivan Jenson 

quicksilver people

 

      there’s this group from Brooklyn

                   gangster guys

                         with 30’s music

           and spike jones washboard

     squeeze horns   rapid fire notes

                    razzle dazzle

                          and he tips his hat

                                    plays his body

          like the bevy of instruments he juggles

                 no wasted motion

                            and

                              keaton

                                    chaplin

                                          this guy

                            skin and bone and muscle       

       they make their own music

                like water over Niagara

                      they glisten

                            dance

                                and never ever can stop

Carol Hamilton


Lamentations

His mission was to grieve.
He came into the world with wailing
at the ready, never shed it.
The reasons were a laundry list
in those days, ones every housewife
could claim, but didn’t.
He fingered his beads, slid them
back and forth on the abacus
with a practiced speed.
True loss came at last,
and now the hunched back grows,
the weight multiplies,
and the dolorous leaves of lost color
drift down, clumped in the pond
with its still surface. When I saw him
last, still handsome, the laugh lines
had not deepened, and the intervals
between his fasts grow shorter
each day.

Carol Hamilton 

Shape Shifting

                   Prism.  Starlight.

                   Bumptious morning.

                   A poem.  A song.

                   Our words together

                   one to one.  We build

                   with this mortar.

                   Earth’s plates rub, grind.

                   We pass, put on garments all new.

 

                   

Carol Hamilton 

A Quiet Life

          The simple elegance of it.

          Does Robert Hass live it?

          I think not but could be wrong.

          His black and white eyes

          on the back of the book

          reflect twin Chinese junks

          drifting into golden ripples

          at sunset.  I was to have met

          him once but didn’t.  Instead

          I stayed in the old monastery

          where he would have stayed,

          perhaps in the very room.

          The grotesque Purépechan masks

          glared from the white of patio walls.

          Esperanza had silver moon steps,

          flat despair on her stitched-together

          face, a soft voice to tell

          of the accident, deft hands.

          She could not read the note I left her.

          Her fresh spinach soup was

          of the world’s greenest green.

          Today the brittle interlace

          of the old elm’s branches

          barely stirs against cloudless blue.

          The refrigerator is old, too, and hums.

 

Carol Hamilton 

Another History of the Bean

Thoreau hoed his 24,750 bean plants

from 5 A.M. till noon each day.

I cannot say the furry little things

are worth the effort, though they

have their own charms when

Chinese-restaurant green

or flavored with bread crumbs

and garlicky butter.

 

My mother always warned me

against my passion for the slick beans

at the top of a newly-opened can,

but I’m still here and Thoreau is not.

He only lasted 26 months at Walden,

and I’m still levering open tins,

still savoring those first slick fruits.

There are no rules

when it comes to love.

 

Carol Hamilton 

At the edge of the poetry reading

He stood as if he wanted to join

Tall with a patriarchal white beard

Dirty blue sweatshirt embroidered

With flowers, the smell of deep

Earth on him, hands stained dirty

A knit cap close on his head.

 

Finally he stepped forward, just

Five minutes, he asked, to tell you

The end of the world and proceeded

To lecture with clear eyes and voice

A confusion of biblical verses,

Wall Street, Masonic symbols,

Conspiracies, as poets toyed with

Their pencils and looked down.

 

Finally the timekeeper tapped

His watch and the leader shook

His head, sorry time is up.

The man stopped in mid-speech

Triumphant, see, he told them,

Five minutes and the whole story

And wandered away looking back

Expectantly as if the saved might 

Follow him under the freeway

Bridge huddled against the rains.

 

—  Emily Strauss

In the Pink


The Mobile girl connects with me.
Delectable in cupcake dress
transmitting domesticity,
she percolates with politesse.
Her swanlike, elongated arms
are moored demurely at her side,
with standing at attention palms 
whose slides alluringly provide
direction to her product pitch.
They skirt just past her garment’s waist,
as though reluctant to unstitch
its seams with seeming brazenfaced 
routines. But signal vibes that she
transmits are mobile to a T.

 

Frank De Canio

Spring Fever


They told me to wait till springtide
before moving beyond the mountain crossing,
with its crevices and steep incline.
I told them Spring was the problem
in the first place. Those smooth, sharkskin
afternoons littering calm, tepid waters
with cast-off carcasses of fresh beginnings.
I’ve done enough fishing for a dozen lives,
without having to plunge in murky depths
again; dragging up seared, auburn leaves
that autumn left behind. I’d rather end
this long journey in the clear glaze 
of winter, while there’s time to trek across
cracked ice. I’ll arrive before the warming thaw
entices me with fragrant clusters
of brightly colored blossoms, and birds and bees
seduce me with their bawdy show. 

 

Frank De Canio

The Closing Fugue of Mozart’s Jupiter Symphony


Canons unfold like limpid layers of fat
straining the bodice of this straight-laced
goddess as she bears the symphonic fruit
of her miraculous conception. The brood’s dispensed
with fluid counterpoint from her embryonic theme -
first inverted, then eased outward
with deft, compositional forceps. 
Melodic snippets trip on heels of kin.
Interweaving lines knit a warm,
incubating blanket of sound. I swoon from bliss -
as though the proud father of these sextuplets.
And well I know, they’d choke in polyphonic muscle
before completing life’s cycle
were it not for art’s dear sustenance. 

 

Frank De Canio

Page Turner


In contrast to the pianist
she’s sitting perfectly erect.
Her eyes are focused on the notes
like she’s a marksman poised to shoot
the music printed on the sheet.
And when the work concludes, she smiles,
as if she not just played each bar
but then and there congealed the whole
from fragments forged inside a brain
that now is tempered with relief.
When the pianist leaves amidst
applause, she rises from her seat,
a tree emerging from the floor.
She exits, straight-laced, from the stage,
an apparition dressed in black.
The puppeteers of Bunraku
could hardly be more circumspect.
When the pianist reappears
to play the concert’s final piece, 
she trails him with a leisured pace,
as if a bashful confidant
or prissy at a high school dance.
Then, latterly, she takes her seat,
resuming focus on the score, 
as if the music on the sheet
flowed from her meditative stare. 
 
I’d think it’s she who pulls the strings
of the pianist who seems poised
to fade into the ivory,
did not the posture of this girl
inform him with its gravity.
For, armored in her two-piece suit,
she leads him in this nimble dance
of fingers on cascading keys.
A pause to thrust subversive strands
of jet-black hair behind her ear
gives substance to insurgent terms
imposed by her protracted stare.
She scans the notes to the last bars
of the piece, hands still on her lap,
as she smiles in approbation,
then disappears amidst applause
for the performer still on stage. 

-- Frank De Canio​

Air Conditioner


Heat-snuffing dragon
of hot-house nights.
How soundly the midnight hum
of your metal machinery
dumbs down the evergreen Eden
of my flowering past
when cubes of ice
conspired against the fire
of the melting sun,
and popsicles made it nice
to smelt in the withering heat
while humid flights of fancy
overdosed on the hormonal rush
of summer’s first coming.


Excuse me if I now sit out
those white-noise surges
of relief with watt-not urges
riding astride the sea breeze
of memories. They squeeze friezes
through my window.
Scenes of stalking grass
harnessed by a blitz
of sassy mosquitoes
bombarded by pesticides
that filled the air
like perfume in the hair
of languid afternoons.
I’ve done 7th inning stretches
with a wooden Breyer’s ice-cream spoon
that school-kids used to beat the heat,
before the advent
of your indiscreet electric storm.

 

 

Frank De Canio

On Keeping the Universe in Balance

Out in the Pacific doldrums, scientists

found a garbage dump the size of Texas 

floating with caustic heaviness, the way

flocks of poisoned birds soar before crashing

down onto houses, roads, the shining fields.

 

And astronomers will soon discover 

a maelstrom of dense black stars, progeny

of melancholy, fear, and apathy   

all swirling at a terrible tempo

like starving cats in an abandoned house. 

 

Today I walk down to the cold river

at first light with bags to collect clutter.

Among white snails and ducks I pluck plastics

Styrofoam, a doll’s arm. A cricket chirps

—sacred chant—my heart trembles, the haze lifts.

 

 — Dennis Trujillo

Afternoon Rain

Afternoon rain weighs down 

The heavy heads of sunflowers

And surprises walkers

 

In the park—clothes cling

Like wet children

And I think of the autumn day

 

I last saw your face

Thirty-five years ago on campus

Slender in your green dress

 

Hands like two quivering birds

On the curve of my spine

That morning we kissed.

 

Later when you drove away

In your dad’s car

Afternoon rain raked down

 

The last maple leaves in clusters—

I walked back to my room

Through shallow red streams.

 

 — Dennis Trujillo

Memories of Wildflecken

It unfurls like an ancient tapestry

- The town of Wildflecken

In the mountains of Bavaria

Where I soldiered in nineteen

Seventy eight. Our camp

Huddled on a hillside

Above the town like a sentry

In the snow. We maneuvered

In armored vehicles that belched

Exhaust, pungent and black

As dragon’s breath. At night

We bivouacked in starless forests

Where frost formed runes on trees 

And dreams were pierced

By high-pitched songs

Of medieval spirits.

After weeks of training

In drifts and ripples of snow

I shed my boots and exposed

Chilblains stippled on my toes

— Crimson trophies

From the god of ice.

 

On the first glow of spring

I walked amidst the mixed pine

Forests that embrace

Wildflecken, my heart eased

By tufts of green at my feet

And azure sky above.

At a clearing the sun bade me lie

On the spongy earth

My folded jacket a pillow.

As I gazed at the vaulted sky

I could feel the hoary ghosts

Of winter, hidden deep

In the chambers

Of my bones, surrender

To the sun’s strident commands

Their wispy arms held high.

 

Dennis Trujillo

 

Wooden Bicycle

I have a wooden bicycle

Made from strong red oak.

The texture is coarse

With straight grain and a few

Knots like dark oases rising

In a reddish tan desert.

 

The chain is fabricated

From spruce - the same wood

Used for crafting vintage violins.

As I swerve around corners

It whirrs with a clear tone

Equal to the finest Stradivari.

 

My handlebar horn of whittled

Ponderosa pine emits shrill

Warning calls of frightened

Woodland birds, and the tires,

Shaped from black willow trunk,

Leave resin tracks like clues

In a mystery novel.

 

It’s dependable and solid

For transporting goods 

Home from the market,

But when I cycle

Through its sylvan home,

Sap begins to run through its veins

And twigs emerge

From the dogwood pedals.

And when I stop to rest

It instantly shoots sinuous roots

Deep into the forest floor.   

 

Dennis Trujillo

Crickets in Winter

In late summer chirrs of crickets

Add seismic charm to winding

Morning runs through the brush.

 

As autumn chill slips into the brambles

Chirps subside to a murmur … but still there

Humming like a neutron star.

 

Winter runs are silent

Save for the soft crush of snow

Subtle as an angel’s pulse.

 

Yet I wait for the clear winter day

When the tundra explodes

With brassy music from thousands 

Of white crickets—

Glittering in their icy coats.

 

— Dennis Trujillo

GRANDPA’S AIR SHOWS

He talked about the early days

of airplane flight,

especially the racing,

some ramshackle crates

a pilot could barely

squeeze his flesh inside

but, once in the air,

they danced like Astaire.

 

You should have seen

those flyboys skirt the pylons,

he said, so close,

their wind ‘d shake

the b’jesus out of’em.

 

The story always ended

with the time

he saw an airplane

burn up in the sky,

plunge head first

into the middle of

the panhandle swamp.

Didn’t find man

or machine for days.

 

I figure it was just

the whims of sky caught up

with that unlucky sod,

tired of being blue and spacious,

it just wanted to be

close and muddy

and overgrown for a while.

 

Of course, that could have

described the old man then,

bog-brown and features cloying,

a regular quagmire, occasional

memories skirting across his brain

like dragon-flies.

Still, I listened, wide-eyed,

feigning interest.

I was a clear blue sky.

He loved flying in me.

 

John Grey 

Five Poems by Simon Perchik: October 10th, 2011

                      *

                                They’re eggs nobody wants :snow

                                all day falling from their nest

                                and these waves broken in half

 

                                —it’s so long since I sang

                                —I forgot how a word, one

                                then another, another and I am flying

                                taking hold a mountain, somehow the top

                                then stars —even the drowned

 

                                will rise to the surface

                                looking for air and the cold

                                —all winter this sea kept warm

                                —some bomber ditched, its engines left on

                                —four small furnaces and still forging

wings

                                from bottom sand, shaped the way each wave

                                still lifts the Earth, then tries again

 

                                —each year the sea made warmer

                                by those same fires every mother

                                nurses with soft words :this snow

                                growing strong, already senses

                                the flight back as lullabies —my mouth

 

                                can’t close, a monster eating snow, my lips

                                swollen from water and cold and loneliness

                                —someone inside my belly

                                has forgotten the word I need to say

                                or sing or both my arms into the sea 

                                feeding and feeding and feeding. 

 

 

 

                                *

                                This birthmark through my neck

                                expects these storms, waits

                                the way an iron rod pointing north

                                and in the darkness to volcanoes, water

 

                                —it learned to wake my jaws at night

                                for steam, drinking from the patch

                                and grunts pushed back into the cup

                                that always cracks

 

                                that must like this portable electric range

                                filled with crushed seawalls, tea leaves

                                lightning —one o’clock in the morning

                                —one eye at first, already thirsty

 

                                already drilling for water

                                for the still wanted spark

                                —cup after cup :a bridge higher, higher

                                and the sea that was born from these storms

 

                                that keeps looking under :waves

                                that let nothing pass, taste 

                                from one arm holding another

                                attached to some invisible dog

 

                                still asleep, waiting under this table

                                as if a ladder

                                and soon more stars :missing pieces

                                melting this darkness for its thunder

 

                                its side to side through my throat

                                almost water again and my bare scar

                                as if it belongs

                                even without the stitches

                                the wires and craters.

 

 

                                *

                                And the sun in ashes

                                leaning against this mist

                                not yet split into logs

 

                                —you once flew through the sun

                                without its flames, went blind

                                watching how its light peels off

                                half born, half glowing in you stove

                                half no smoke yet, whose shadow

                                still has some heat left

 

                                is older than the ground

                                and every morning held down

                                by rope, never loose again

 

                                —even without your eyes

                                the vapor trails still pull the sun

                                closer to its fire, to this iron gate

                                left out in the cold the way a net

                                is carried across a desert, sifts

                                for missing branches, birds

                                the light covered over, still breathing.

 

 

                                *

                                You expect the noon-alarm at City Hall

                                —it’s the tangled siren from nowhere

                                skidding corners, trucks and nozzles

                                and when it’s over

 

                                the usual inspections, who started it

                                who —you almost hear the hoses 

                                clawed open, marking off where a sea

                                is buried —you’re never sure

 

                                what’s wave, what’s warm from the fire

                                —all you know is that coastlines

                                and fright have too much in common

                                with pasture, how panic

                                still excites, leads back the years ago

                                eaten to the bone and you

 

                                can hardly breathe, cover your ears

                                the way a thin plume dies out and hillsides

                                pulling up grass, breezes —it’s always noon

                                —you dread the one minute leaping overhead

 

                                from one time to a closer time

                                —you almost hear a plane, the ladders

                                and smoke falling away from you

 

                                —you can’t move

                                and the pain that once could heal

                                suddenly becomes a cry

                                without holding on to your hands

                                or the world.

 

 

                                *

                                Ankle deep it’s Spring, these stones

                                already green —to keep from falling in

                                he’s taught himself to limp, stutters

                                while I bathe the invisible dog

                                that clings to his chest, whose fur

                                bristling with gooseflesh half at the

controls

                                half iron pail for the drinking cup

 

                                —he must dread the splash

                                is trained to wade slowly and where 

                                the waves are buried, where these stones

                                harden, climb to that same altitude

                                they once flew —a sky

                                still slippery, filled all at once

                                with 12 dark-green stones

 

                                and he looks up, says my fingers

                                as if the spray reminded him

                                how his first breath is now too matted

                                though it tries to leap, its huge jaw

                                licking its paws —a few months each year

 

                                he wobbles into a water

                                that’s falling off the Earth and he says

                                his fingers are too heavy, says

                                hold him, save him.

 

 

Simon Perchik