Eye On Life Magazine

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Eye on Life Magazine is a Lifestyle and Literary Magazine.  Enjoy articles on gardening, kitchen cooking, poetry, vintage decor, and more.

Scenes from a Parish

The weekday Mass at 6 a.m.

brings old folks out 

from bungalows 

around the church.

They move like caterpillars  

down sidewalks, 

some with canes, 

some on walkers. 

 

Young Father Doyle says the Mass 

and is renowned for giving 

homilies on weekdays

superior to homilies

heard in other churches 

even on a Sunday. 

 

After Mass, he goes back 

to the rectory to care 

for a mother older than 

most of his congregants.

A gracious lady, his mother 

cannot move or talk 

because of a stroke.

 

But every Sunday at noon,

when the church is overflowing

with people wanting Mass to start, 

Father Doyle, in full vestments, 

wheels his mother in a lump

down the middle aisle

and lifts her like a chalice 

and places her in the front pew  

before he ascends to the altar.

 

Sometimes at night,

when his mother is finally asleep, 

he returns to the church 

and rehearses in the dark 

three hymns she long ago 

asked him to sing at her funeral.

 

He practices the hymns 

because the doctor said  

she could go at any time

and when that time comes,

he doesn’t want to miss a note.

The last thing she ever said was

“Son, I’ll be listening.” 

 

 

Donal Mahoney

-THE DOGGEREL BARK –

For those in possession of dignity Its own recompense

not solely of the
p’soupers & the signed-on as
Hausflur Zeichen gaud
like sams’ club industry-plied
general store dry goods the

contest’ers & the
poetaste smooth walk like a fly’s
forelegs’ rub without
intent the singularist
art with maph.d’s

creds-creds creds an’ kreds
cloaca’d b’hind the screed
kinkaidianist
ac’demus remus argot
rebus du jour
cakes bakers

pattie-fakes to books’-
cutter’s delights unbaked dear
me how many fawns
files mou? how many pawns?
seen It see It perpetrate

not moi! an ele-
versor not dumb-wader of
the ‘moral simper-
ative from prof. brad
thru poetaster fox & self-

liturgies of duple
first-namers poet claimers
like ike pappas’
pap with one eye on life pote
popology tragic when

one good gets away’d
objet trouve` olds’ an’ new
majors in minor
less minor majors no less
more jr. fames’ capped & gown’ng

& rote as surgeons
mortar’d & boring the good
christian wiman speaks as
d’gioia to coveted
species of pro craft hobby

specious mfabs’ in deed
bavian popcorn saltless
buttering as wont at
door slams shake their joints’ wonder
of what are we not thinking

H.e.m.-H’H.
2.23.MMxii.
(For TASHARO)

Five Poems by Simon Perchik: March 18th, 2012

   

                                *

                                Despair has taken on the shape

                                each cloud leaves afterwards

                                —you reach across the hole

 

                                one hand crazed

                                a moon rising from the other

                                as if there were crossroads

 

                                and the sky winds down

                                into evenings that are not yours

                                —an unbearable headwind

 

                                weakened past sorrow, past drift

                                past sleep and your breath lies down

                                where nothing holds on

 

                                —you don’t save the pieces, it’s useless

                                —you look up and the air

                                little by little is led

 

                                past emptiness :the no lips

                                that are not a face, not a voice

                                and from your arms.

 

 

 

 

                                *

                                The bay backs down once you begin

                                by counting the dead —your mouth

                                wider and wider with gnats

 

                                half plankton, half step by step

                                that will live on as beach grass

                                and undertow, dragging you

 

                                the way these gulls make pass after pass

                                circle the dying afternoon

                                in endless sorrow

 

                                —you walk till you’re no longer hungry

                                though no sand flea last for long by itself 

                                and every evening, by the millions

 

                                stars will drown so the sun

                                can feed one day more from your lips

                                left open to weigh down the sky

 

                                —you throw the Earth against it 

                                holding it off stone by stone  

                                that seep through your shadow

 

                                as if tears would close your eyes

                                with eyes and no one come near

                                or remember the numbers just as they are.

 

 

 

 

 

                                *

                                You sense it knows, the road

                                narrows, picking up speed

                                and off in the distance its curve

 

                                can’t escape, plays music from the 40s

                                —you are somewhere in England

                                listening to rain on a runway

 

                                —had it guessed then how its years

                                would end, here in Nevada, four lanes

                                not caring where the winds come from

 

                                or the radio half airborne

                                half static, half already too far

                                though the station is still on the look-out

 

                                and clouds are overdue

                                even in the desert

                                —it must know, it has to, the hill

 

                                constantly turning its head

                                and you slow, begin to sing along

                                have one day less to worry.

 

 

 

 

 

                                *

                                It takes both faucets and each night

                                you fill the sink the way mourners

                                set up camp —one alongside the other

 

                                swaying and your legs half open

                                wait till it’s dark, kneel down

                                as if it was not your own

 

                                and it’s safe to drink from the rim

                                beside the zebras. the leopards

                                —this lake won’t freeze or dig up

 

                                your footprints from the falling snow

                                calling for help and in the cold

                                you wipe your lips on the wall.

 

 

                                *

                                These petals taking command, the flower

                                pinned down and the work stops

                                —your breath dragged back

 

                                where it’s safe and in your lungs

                                hides the way each sky is named

                                after the word for stone

 

                                for this small grave each Spring

                                the dirt adds to till suddenly

                                you are full height, your lips

 

                                defending you against the cold

                                waiting it out in your mouth

                                —they too want you to talk

 

                                to call them by name

                                say what they sound like

                                turning away, alone, alone and alone.

 

Simon Perchik 

Life After Death

My father never gets

the hang of being dead.

He lived so long, so willingly,

he never accepts his life

is finished, done, kaput.

He appears at family gatherings,

presence comforting as wood smoke,

laughter swirling through the stories.

On trips out of town,

he grumps in the back seat,

now that he can’t call shotgun.

This afternoon, there he was

at the table by the window,

easing his back into the sun,

looking for a cup of coffee

and a cinnamon roll.

 

Peggy Trojan 

Winner, First Place, Eye On Life Poetry Contest 2011-2012

Living Long

Never thought much about it

when I was young,

ten, twenty, thirty, forty,

even sixty.

Now, in the last quarter,

I realize if I keep going

another twenty years,

I will near the hundred mark.

When people die early, it is said,

“What a shame, she was so young!”

 

I have worked at staying alive,

often followed rules of food and drink,

lived happily when I could,

treated my neighbors like myself.

If  I die a centenarian, could people say,

”What a shame, she was so old!”

 

Peggy Trojan 

This Morning

This morning there were two dogs

moving from patch of sun to patch of sun

along the winter carpet – no snow to disguise

the brittle crystals creeping up the fingertips

of bluegrass, singeing the bare tongues

of wilting fern. The sky was blue, you could see

how it varied in shade, slightly, left to right, scored

by reaching peaks of maple and oak. Last night he slept

through the final minutes of a football game

which was out of reach. He woke and walked

from window to window, the dark bleeding

from outside in, during those lost hours where only the fringe

elements habituate – joined by those who fell asleep on the couch

and must make the drowsy, aching climb to bed. Last night,

however, he felt oddly refreshed, going window to window at 3am

with a mug of tea that went cold while he was napping.

The Great Bambino kept a cabbage leaf under his cap

to keep cool in summer – he was trying to understand the night

when this thought crept in. The sort of thought that arrives

when the mind is fatigued, the distant offshoot of the coping

mechanism: cabbage leaves, salt peanuts, a song

by Dizzie Gillespie, some other jazz. He had been drinking.

His mouth was dry and tasteless. He found the old dog

and lay down beside her, muzzle to face. He whispered

thanks to that old dog for being what she was for so long.

This morning he slept late and tried to imagine a life

of rest, relief, infrequent walks, the blind exhilaration

of chasing a squirrel up a tree, a rabbit to a tight thicket,

or pigeons chased by the dozen into the air above

the fountain in the plaza. He found himself sketching her

stretched out over two blankets, determined hers, folded into a bed.

The younger dog perched at the window, fogging the glass

with small yelps as a teasing crow bobbed along the fence.

He poured coffee and took the old dog in his arms

and set her in the car, wrapped in her blankets.

They arrived and she stayed. On the drive home, he wept

thinking of the young dog, feet up on the window sill,

shaking with excitement as his keys rattled at the lock,

how she would tilt her head once she saw he was alone.

How she would run from room to room with a sloppy grin

that will fade into disappointment without companion.

 

Jim Davis 

Harvestmen

Steam rising from the steel slit of the whistle’s mouth.

Shuffling feet, tin heels. A water tower on stilts, a ladder

to the grain silo. The spiteful truth is waiting

to be labor-smacked, the working class

proffers chicken flavored milk bones

to the family dog, when the family is off

on holiday: a meadow: a beach

with green sand: algae, dandelion pressings

to separate journal pages – is that enough? No-

one suspects the daddy-

longlegs of its reputed poison, we allow him

to crawl along the pink spindle of our turning wrist, a skein

of his impossible path. We watch the sun sink into the lake,

our backs pressed against the fence of our City

Alderman’s summer cottage, white and picketed,

swollen where the tide has picked away its skin.

He, crawling through hair; we, picking willow reeds

to press between our thumbs and whistle. 

When it is time for fire, time to find dry sticks and whittle points,

we pinch our poor daddies by the end of their long legs,

pluck them like daisies – keen enough to ask for love

with each amputation, young enough to feel truly indifferent.

 

Jim Davis 

Second Place Winner, Eye On Life Poetry Contest 2011-2012

A Circle of Stones

polished by the current of the river.

 

By alluding to stones, I have disenchanted

the grave site of a goldfish. I am not responsible

for absence of culture, I hold to tight maudlin underdevelopment.

I scrub blindly at building grit, so the modifiers can send themselves

to market, clean again. I gave effective strategy a name: the slow bird

needs to start early for any hope of worm.

 

On the wrought iron fence of the churchyard

two crows spoke in low voices: script your methods

as methodical as possible, given the limits of crow vocabulary,

given the limits of time and space and available parking. Collect

as many resources as you can, force yourself happy.

In my dream he was staring out with wide eyes

from behind the glass of the bowl, lifting his gill cover

to breathe. He turned, swam to the top of the bowl, swam back.

 

The water began to fog and I haven’t slept since.

I can’t handle it, can’t hardly be handled

without rest. You should see the notes in the margin of this page.

 

James Tate’s right mind is drowsy. He identifies with writing through haze,

good practice for the dementians to come, the demons of disenchantment:

mute, blurry, or buried like thunder in a fog.

 

If consciousness is a system of organizing the clutter of conscience

what better way than the stark romance of writing by candle, sleepless, bobbing

over the page, struggling to describe a gingko tree, under whose fallen leaves

the new complexity of struggle is buried and adorned.

 

Jim Davis

Honorable Mention, Eye On Life Poetry Contest 2011-2012

Waiting Room

It’s 9:00am when the man begins to write

with sound, as anyone would, when his sole

stimulus is the hum of lights, the curved complexity of spine

and skull, hanging bones, the topographical map of man’s

anatomy pinned to the wall. He clicks the back end of a pen

and hovers above the page. Which element of salt turns ice

to water? he wonders to the pad. Square, an uninspired crystal.

And there’s plenty of it out there, clearing the drive. Two old

women from the Philippines, he thinks, maybe Japanese –

with receding hairlines, he notes, always conscious of his own –

engage in rehabilitation: scapular reduction, external rotation

while stretching a red band. Snap out of it, he blinks

and tells himself, Sound – write with it. Script the tune

of the blue rays pulsing through the bones of his hand,

which has swollen to the size of a hand in a glove, bulging

around the knuckle. He was lubing the channels of poetic flux

by writing with taste in the kitchen, when something sinister

put his fist through the wall to a stud. Now he writes lefty

and has forsaken taste for sound: thud of a fist on stud, quick pop

of cracking knuckle. The intern says to the woman with a bum

shoulder, “Once we get you taking care of your son again,

then you’ll be home free!” What fortune, it seems, to be

casted for a broken hand, to see the tentacles of light floating

from the fixtures, to recall smashing fluorescent lamps

in the gully by the tracks with childhood friends, the ghost

of light rising as long tubes popped and splintered

against oak trunks and birch. To see behind drywall

and into structure, to see beyond shadow to substance,

to nurse another cold, or a broken bone, to live briefly

in the waiting room, not counting beads for a best friend,

not covering one’s face hoping she will breathe again freely,

concerned purely with his own pain, grateful for such trouble.

 

Jim Davis 

CROW

It’s early in the eve

As I stroll throughout

My raw and windswept yard.

The grass is pallid, 

Spring time stiff,

Still sleeping, crunching

Beneath my sneakers.

The Ash is quiet, dormant yet,

No floral beauties

Have come to wake.

But from far above

I can hear the call,

The exploding sound 

Of ceaseless life abound.

Brisk in a moving tempest

Of onyx incandescent wings,

Mystical in their flight,

Hypnotic in their dance,

They caw their songs,

As great masters of the sky.

They span the azure fading

Wisps of rose vermillion,

Taking voyage across

The swift arising moon,  

To find a place to settle in

Throughout the chilly night.

 

Amye Nicole Bird 

Honorable Mention, Eye On Life Poetry Contest 2011-2012

THE DAY THE SUN FORGOT TO RISE

You didn’t remember my name today,

Though we’ve shared sixty years plus two.

We’ve had our ups and our downs,

And most everything in between,

When we danced, romanced, snuck in a kiss,

When we quarrelled, debated, and hissed.

And yet, you cannot remember my name.

 

We had children twice over,

And grandchildren times nine.

Countless Christmas trees of pine,

Never ending Easter baskets filled with candy,

How many carved and overindulged turkeys?

Birthday candles too many to even count,

And yet, you cannot remember my name.

 

I’ve held your hand when you’ve fallen ill,

I’ve wiped your tears of sorrow and fear,

I’ve carried you when you were weak,

And I have loved you every single minute

Of all those many, many years.

I love you still,

And yet, you cannot remember my name.

 

Once upon a time, I said “I do!”,

And so did you,

But times have changed as

All those hours have seemed to stop

As old age has come our way.

You remind me of this everyday,

As you sit and stare at me in silence,

Your eyes are dull, having lost their glow,

Your body slumps, which once stood tall,

And I’ll remain here through what’s left of it all,

Loving you even more than I did back then,

Even though I sadly know

Tomorrow you will not remember my name. 

 

— Amye Nicole Bird

Third Place Winner, Eye On Life Poetry Contest 2011-2012

Facades

 My mother’s mother was Irish

 (I never knew her), and I know

 we are given to excess

 of every kind.  But my other side

 is Puritan, and what a combination!

 My new friend told me she wants

 to get over “the way I am,”

 though she has never really shown

 me how that is.  She of the book

 I am reading has gone to extremes

 to remake herself, she who seems

 to the world to be full of joy.

 Day to day we repair the mud-dabbed

 face of where we dwell, buzz around

 too quickly to be caught out.

 

Carol Hamilton 

Honorable Mention, EOL Poetry Contest 2011-2012

What Purpose Does A Rabbit Have

The same nightmare woke my father 

every night for years. 

He had no idea what it meant 

and so he wrote the story down 

and saved the note and hoped 

some day he’d understand it.

But a note like that 

can be misplaced. 

 

Decades later Father 

found the note 

in a drawer of socks 

he hadn’t worn in years.

He found it underneath 

his old glass eye the night 

Mother came back on the Harley 

to “make their marriage work.”

 

He reminded Mother they had 

been divorced for years

and then, despite her tears, 

he told her, “After all this time, 

we both know now that you 

were gone before you left. 

But now you’re back so 

let me tell you all about 

 

the nightmare I’ve had every night 

since you took the bike and left. 

I wrote the story down to tell the kids

when they grew up but they ran off 

before I had a chance to ask them

if they knew what my dream might mean. 

You’d like the kids. They’re pretty smart.

Anyway my note says this: 

 

‘What purpose does a rabbit have 

other than as prey?

What difference does a rainbow make 

in a rabbit’s day?’

You tell me now you love me, 

always have and always will. 

But the kids are gone forever 

so take the Harley now and go.”

 

Donal Mahoney

Honorable Mention, EOL Poetry Contest 2011-2012

Pedro, Pablo and Little José

I have spent an hour 

lying in the sun 

on Joe Brickle’s farm

waiting for Pedro and Pablo

to fetch Little José

 

with his sickle and scythe

to cut down the high grass

so Pedro and Pablo

can gun their mowers

over the cowlicks.

 

After Joe Brickle died

the grass on his farm 

soared to the sky.

His goats ate it all 

till his son flew home  

 

and trucked all the goats

to the slaughterhouse.

At Sadie’s Cafe in town

old friends of Joe declare

goats bring a good dollar.

 

I have not wasted my time

lying in the sun today.

I’ve been watching

two doves on the ground

walking in circles 

 

waiting for a sparrow 

to land and dance on 

the rungs of the feeder

Joe Brickle hung  

in his Dogwood. 

 

The doves need the seed

the sparrow will scatter.

Joe Brickle named goats 

after prophets in the Bible. 

He might be happy to know

 

that I’ve named the doves 

Pedro and Pablo

and the sparrow 

now landing  

is Little José.

 

 

Donal Mahoney

Two Honorable Mentions, EOL Poetry Contest 2011-2012

-THE SEASON OF THE SWITCH –

black friday comes on

like a tattoo a brand you can’t shake

tb a constant

year ending cough the upper

regions of the land of atm

 

holiday training

schools’ fee served prepped an’ amped you

a beat-up camera-

ready cheerleader…& go! 

wharmart-wharmart that’s our plan

 

if whar can’t do It

target can that’s our plan if

gap can’t do It ol’

navy can all the mauls’ best

buys surprise for your daughter

 

marianna a

thirteen ‘cause what’s nativ’ty

without It a cold

vapidity worth only

love and sharing who cares ‘bout

 

haute bargains n’more

as papa’s papa whittled

a hobby horse a

doll house issued from gifted

hands cloved oranges fashioned

 

in knitted stockings

a schooner in glass and the

ask of how!? sooner

you’d eat dead fruitcake than miss

the door buster headed for

 

the gotta-get-It-

now-only-‘til-the-killer-

kiosk cologn’ry-

perfum’ry like evil twins

set to destroy natural

 

essence but…you know

yes you go 3rd. guessing like 

a cowed groom altered

to what you been tolded the

latest dance craze at the same

 

tunes aye-aye minion

for captain blight outa-mind

outa-sight ‘til next

january’s shockcard trans-

experiantransfusion

 

another mug of

mammoneggnogg switching-off

gallipavo for

ham an’ duck pining the friends’

family trees gay cellophaned

 

sweet dusted fingers

can we eat the wrapping too

when getting into

the everybody nice to

everybody else to a

 

point season was all-

ways the easy point…drive for

different stuff toys malls

decked in the halls like ‘nother

an i-hop stacked black friday

 

                          H.e.m.-H’H.

                          11.25.MMxi.

 

Honorable Mention, EOL Poetry Contest 2011-2012

How I Fell

I could easily say it happened the first time we met, as we talked by

the water until our teeth chattered. You didn’t kiss me goodnight

because you consciously elected to leave your representative at home

 

(arguably this is the sole reason I agreed to meet you the next day at

a hotel without my mandatory chaperone).

 

Weeks later we made plans to migrate south but didn’t follow through;

instead we attended a sold-out rock concert. The audience was dazzled

by the show, including the bassist, who momentarily stepped out of the

spotlight

 to flash us an endearing thumbs-up with one hand

while he picked up his jaw up from the platform with the other.

The thrill of feeling the wind in our hair heightened the rush as we

sped home over the Brooklyn Bridge while the gas needle flirted with E

but not before you stopped the car at the busiest intersection on the

West Side Highway

only long enough to lay your head in my lap and whisper

that the reason you find me beautiful is because I have no idea just

how beautiful I really am.

 

We wrote poetry on the walls with permanent markers,

fed my sister champagne out of a gold studded high-top sneaker until

she was forced to smile,

danced on the coffee table to tribal music while the neighbors slept,

and welcomed the New Year in our bathrobes while eating Sushi out of

plastic take-out containers.

But it was the day we abandoned technology for seven straight daytime

hours and took our first long walk

through each other’s minds

that I realized I entered an alternate realm devoid of gravity.

You snored softly in my arms later that night and I smiled

as I inhaled your musty breath, savored its sweetness, and looked up

at the world around me.

 

Lisa Cappiello 

Honorable Mention, EOL Poetry Contest 2011-2012